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Giclée Print on Innove Fibaprint White Matte 280gsm (mounted, unframed).
10×20” printed area size with additional white border.
Each print is hand signed by the artist and comes with a Certificate of Authenticity.
ABOUT ‘THE VEILED VESTAL’
Inspired by ‘The Veiled Vestal’ sculpture, by Raffaelle Monti, and known for it’s appearance in the 2005 Pride and Prejudice film, I wanted to use my own trompe l’oeil painting skills to reflect the statues own illusion of transparency. Using oils, I began to sculpt the statue, establishing the lights and shadows. Slowly building up the layers, more details were added in order to successfully convey the intricacies of the statue. To enhance the trompe l’oeil effect, a wood grain background was painted along with the addition of brass pins to create the illusion of an image being pinned up.
Giclée Print on Innove Fibaprint White Matte 280gsm (mounted, unframed).
12×16” printed area size with additional white border.
Each print is hand signed by the artist and comes with a Certificate of Authenticity.
ABOUT ‘STAITHES HARBOUR’
Located on the North Yorkshire Coast, Staithes is a small, beautiful fishing village and very special to my family. Capturing my reference photo from Rolling Cross and looking out towards the harbour, this painting captures Staithes Harbour in an atmospheric light.
The main focus of this piece was to create convincing creases in the paper and as always, capture as much detail as possible. Having started with the sky, I worked my way down, then working on the houses, the background and finally the addition of the masking tape.
Giclée Print on Fine Art Rag, 285gsm, 100% cotton with a natural white tone and smooth texture (mounted, unframed).
8×10” printed area size with additional white border (10×12” mounted).
Each print is hand signed by the artist and comes with a Certificate of Authenticity.
ABOUT ‘THE BELVEDERE’, CHATSWORTH
Inspired by Chatsworth House, in the Peak District, this trompe l’oeil painting captures ‘The Belvedere’ of Chatsworth.
This painting was one of the first trompe l’oeil paintings I did in the style of a crumpled photograph. It allowed me to explore the idea of creating a realistic effect of crumpled and torn paper. This painting was particularly challenging in combining the perfections of architecture with a crumpled effect. With the dark navy background and carefully considered colour palette of the crumpled image, this piece beautifully captures ‘The Belvedere’ structure of a much loved stately home.
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Featuring pen illustrations by Amy Lipscombe, these A6 greeting cards can be used for any occasion and can also be framed! All cards come with a blank inside and are packaged with a Kraft envelope.
